{"id":2439,"date":"2020-05-08T14:33:41","date_gmt":"2020-05-08T12:33:41","guid":{"rendered":"https:\/\/stephan-balleux.comimage\/cipher\/"},"modified":"2020-10-21T08:59:15","modified_gmt":"2020-10-21T06:59:15","slug":"cipher","status":"publish","type":"image","link":"https:\/\/stephan-balleux.com\/en\/work\/cipher\/","title":{"rendered":"Cipher"},"content":{"rendered":"

The choice of a black and white grisaille painting refers directly to the documents which are the source of these scenes and which belong mainly to the history of cinema and documentary images.<\/p>\n

By respecting the uncolored nature of the diverted images, I discovered with surprise that this lack of color creates a dreamlike aspect that pushes the viewer to imagine the scene rather than see it.<\/p>\n

These paintings give at the same time a familiar impression because they are iconic images recognized by all but at the same time produce an impression of strangeness: the paint that has become alive in the canvas acts like a virus and threatens to invade everything.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

The choice of a black and white grisaille painting refers directly to the documents which are the source of these scenes and which belong mainly to the history of cinema…<\/p>\n","protected":false},"featured_media":670,"template":"","mise_en_evidence":[21],"class_list":["post-2439","image","type-image","status-publish","has-post-thumbnail","hentry","mise_en_evidence-homepage"],"acf":[],"yoast_head":"\nCipher – Stephan Balleux<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/stephan-balleux.com\/en\/work\/cipher\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Cipher – Stephan Balleux\" \/>\n<meta property=\"og:description\" content=\"The choice of a black and white grisaille painting refers directly to the documents which are the source of these scenes and which belong 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